<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-33677176</id><updated>2011-09-05T21:47:45.969+10:00</updated><title type='text'>opera mania</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://opera-mania.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://opera-mania.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>hen_jenn</name><uri>http://www.blogger.com/profile/03400100500211177461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>10</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-33677176.post-116234511650179599</id><published>2006-11-01T12:26:00.000+11:00</published><updated>2006-11-01T12:38:36.650+11:00</updated><title type='text'>Opera in the modern period</title><content type='html'>&lt;div align="center"&gt;&lt;strong&gt;Opera in the Modern Period&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;1900 – 1944&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;1900&lt;/strong&gt; Tosca - Giacomo Puccini&lt;br /&gt;&lt;strong&gt;1902&lt;/strong&gt; Pelléas et Mélisande - Claude Debussy &lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1902 &lt;/strong&gt;Adriana Lecouvreur - Francesco Cilea &lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1904&lt;/strong&gt; Jenůfa - Leoš Janáček &lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1904 &lt;/strong&gt;Madame Butterfly - Giacomo Puccini &lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1905&lt;/strong&gt; Salome - Richard Strauss  &lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1909&lt;/strong&gt; Elektra - Richard Strauss  &lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1910&lt;/strong&gt; La fanciulla del West - Giacomo Puccini &lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1911&lt;/strong&gt; Der Rosenkavalier&lt;br /&gt;&lt;strong&gt;1912&lt;/strong&gt; Ariadne auf Naxos - Richard Strauss &lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1918&lt;/strong&gt; Bluebeard's Castle - Béla Bartók  &lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1918&lt;/strong&gt; Gianni Schicchi - Giacomo Puccini &lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1919&lt;/strong&gt; Die Frau ohne Schatten - Richard Strauss&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1921&lt;/strong&gt; Káťa Kabanová  - Leoš Janáček&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1921&lt;/strong&gt; The Love for Three Oranges - Sergei Prokofiev&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1925&lt;/strong&gt; Wozzeck - Alban Berg  &lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1926&lt;/strong&gt; Turandot - Giacomo Puccini  &lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1934&lt;/strong&gt; Lady Macbeth of the Mtsensk District - Dmitri Shostakovich  &lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1935&lt;/strong&gt; Porgy and Bess - George Gershwin  &lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1937&lt;/strong&gt; Lulu - Alban Berg &lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1939&lt;/strong&gt; The Old Maid and the Thief - Gian Carlo Menotti&lt;br /&gt;&lt;strong&gt;1945&lt;/strong&gt; War and Peace - Prokofiev &lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1945&lt;/strong&gt; Peter Grimes - Benjamin Britten&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33677176-116234511650179599?l=opera-mania.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://opera-mania.blogspot.com/feeds/116234511650179599/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33677176&amp;postID=116234511650179599' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/116234511650179599'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/116234511650179599'/><link rel='alternate' type='text/html' href='http://opera-mania.blogspot.com/2006/11/opera-in-modern-period.html' title='Opera in the modern period'/><author><name>hen_jenn</name><uri>http://www.blogger.com/profile/03400100500211177461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33677176.post-116234421735943356</id><published>2006-11-01T12:19:00.000+11:00</published><updated>2006-11-01T12:23:38.033+11:00</updated><title type='text'>opera voices</title><content type='html'>&lt;div align="center"&gt;&lt;span style="font-family:arial;"&gt;There are several different types of voices used in opera. These are catagorised due to their pitch. These are:&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt; &lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;"&gt;Soprano - high female voice&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;"&gt;Mezzo-Soprano - low soprano voice - higher than alto&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;"&gt;Alto - low femal voice&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt; &lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;"&gt;Tenor - high male voice&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;"&gt;Baritone - medium male voice&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;"&gt;Bass - low male voice&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33677176-116234421735943356?l=opera-mania.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://opera-mania.blogspot.com/feeds/116234421735943356/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33677176&amp;postID=116234421735943356' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/116234421735943356'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/116234421735943356'/><link rel='alternate' type='text/html' href='http://opera-mania.blogspot.com/2006/11/opera-voices.html' title='opera voices'/><author><name>hen_jenn</name><uri>http://www.blogger.com/profile/03400100500211177461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33677176.post-116166407695249710</id><published>2006-10-24T14:27:00.000+10:00</published><updated>2006-11-01T12:41:46.620+11:00</updated><title type='text'>bibliography</title><content type='html'>&lt;p align="center"&gt;&lt;u&gt;&lt;strong&gt;BIBLIOGRAPHY&lt;/strong&gt;&lt;/u&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;div align="center"&gt;&lt;a href="http://en.wikipedia.org/wiki/Opera"&gt;http://en.wikipedia.org/wiki/Opera&lt;/a&gt;&lt;a href="http://www.dsokids.com/2001/dso.asp?PageID=458"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/li&gt;&lt;/a&gt;&lt;li&gt;&lt;div align="center"&gt;&lt;a href="http://www.hildebrandnet.de"&gt;www.hildebrandnet.de&lt;/a&gt;&lt;a href="http://www.dsokids.com/2001/dso.asp?PageID=458"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/li&gt;&lt;/a&gt;&lt;li&gt;&lt;div align="center"&gt;&lt;a href="http://www.dsokids.com/2001/dso.asp?PageID=458"&gt;http://www.dsokids.com/2001/dso.asp?PageID=458&lt;/a&gt;&lt;/div&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p align="center"&gt; &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33677176-116166407695249710?l=opera-mania.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://opera-mania.blogspot.com/feeds/116166407695249710/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33677176&amp;postID=116166407695249710' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/116166407695249710'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/116166407695249710'/><link rel='alternate' type='text/html' href='http://opera-mania.blogspot.com/2006/10/bibliography.html' title='bibliography'/><author><name>hen_jenn</name><uri>http://www.blogger.com/profile/03400100500211177461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33677176.post-116045462693909951</id><published>2006-10-10T14:29:00.000+10:00</published><updated>2006-10-10T14:30:27.093+10:00</updated><title type='text'>looking at the romantic period</title><content type='html'>&lt;div align="center"&gt;&lt;strong&gt;Looking at the times-&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;Romantic Period&lt;/strong&gt;&lt;br /&gt;The romantic period was a time of political revolution and a time of new radical thinking and looking at the world in a new way. Music of this period also took on this new adventurous style. Music from the Romantic period was written with emotion and imagination. During the Romantic period, there was a new appreciation of the artist as an individual- someone who had feelings which were expressed through their creations. The romantic period preceded the Classical period and showed a revolution in thinking and composing. Like most evolutions in time the romantic period occured as a result of new composers rejecting the classical style based on rules, order and structure.&lt;/div&gt;&lt;div align="center"&gt; &lt;/div&gt;&lt;div align="center"&gt;&lt;a href="http://opera-mania.blogspot.com/2006/09/opera-in-romantic-period.html"&gt;back to timeline...&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33677176-116045462693909951?l=opera-mania.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://opera-mania.blogspot.com/feeds/116045462693909951/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33677176&amp;postID=116045462693909951' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/116045462693909951'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/116045462693909951'/><link rel='alternate' type='text/html' href='http://opera-mania.blogspot.com/2006/10/looking-at-romantic-period.html' title='looking at the romantic period'/><author><name>hen_jenn</name><uri>http://www.blogger.com/profile/03400100500211177461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33677176.post-116045409860199614</id><published>2006-10-10T14:19:00.000+10:00</published><updated>2006-11-01T11:52:44.586+11:00</updated><title type='text'>more about the classical period...</title><content type='html'>&lt;div align="center"&gt;The Classical Period&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;The period between 1750 - 1800 saw many things, the continuation of the Industrial Revolution, Benjamin Franklin's kite experiment, the continuation of the Qing dynasty and Marie Antoinette's meeting with the guillotine. It was also the time of the 'Classical Period' in music. The classical period saw composers, such as Christoph Willibald Gluck, trying to introduce new things to opera, such as additional forms for arias and more involvement of choral and instrumental music. Wolfgang Amadeus Mozart and Joseph Haydn were also key composers of the classical period.&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;p&gt; &lt;/p&gt;&lt;p align="center"&gt;&lt;a href="http://opera-mania.blogspot.com/2006/09/opera-in-classical-period.html"&gt;back to timeline...&lt;/a&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33677176-116045409860199614?l=opera-mania.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://opera-mania.blogspot.com/feeds/116045409860199614/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33677176&amp;postID=116045409860199614' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/116045409860199614'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/116045409860199614'/><link rel='alternate' type='text/html' href='http://opera-mania.blogspot.com/2006/10/more-about-classical-period.html' title='more about the classical period...'/><author><name>hen_jenn</name><uri>http://www.blogger.com/profile/03400100500211177461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33677176.post-115750878832755597</id><published>2006-09-06T12:09:00.000+10:00</published><updated>2006-11-01T11:38:30.086+11:00</updated><title type='text'>Opera as an art form</title><content type='html'>&lt;ul&gt;&lt;li&gt;&lt;span style="font-family:arial;"&gt;Opera was originally considered a title of a theatrical performance, but at a later date this evolved into a title of singing style. This change began to occur around the end of the classical period, into the Romantic period. Since then there has been a number of soloist opera singers emerge. The Castratis', a group of men who were castrated in order to preserve there boy like quality in their voice, were a very popular breed of Opera singers. One of the most famous castrati's includes Farinelli, who was one the last Castratis'. &lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;span style="font-family:arial;"&gt;Again Opera is evolvong and is now beginning to be marketed as a popularised form of singing, with the newly emerging opera groups that are the equivalent to a pop group although singing opera arias. Groups &lt;em&gt;Il Divo&lt;/em&gt; and &lt;em&gt;Amici&lt;/em&gt; are examples of this.&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;span style="font-family:arial;"&gt;In the 21st century, opera is not as popular as the modern day musical. Which is akin to opera however spoken dialogue is used in parts.&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;span style="font-family:arial;"&gt;TV series such as Operatunity and Operatunity OZ are assiting to bring opera back into fashion. In these series a panel of judges travel the countryside looking for the next opera sensation. The panel then selected 100, out of 2000 applicants to perform in live interviews. Of this 100, 20 were selected to take part in an intense series of classes. Six finalists were selected to undertake a two week course at the end of which a winner was chosen to perform a lead role in Opera Australia's performance of Rigoletto. In a surpise twist this year, two additional singers were chosen to perform in Rigoletto as well. Bass David Parkin, tenor Roy Best and soprano Emily Burke all performed. &lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33677176-115750878832755597?l=opera-mania.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://opera-mania.blogspot.com/feeds/115750878832755597/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33677176&amp;postID=115750878832755597' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/115750878832755597'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/115750878832755597'/><link rel='alternate' type='text/html' href='http://opera-mania.blogspot.com/2006/09/opera-as-art-form.html' title='Opera as an art form'/><author><name>hen_jenn</name><uri>http://www.blogger.com/profile/03400100500211177461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33677176.post-115742003780507967</id><published>2006-09-05T11:23:00.000+10:00</published><updated>2006-10-10T14:34:31.126+10:00</updated><title type='text'>Opera in the Romantic Period</title><content type='html'>&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-family:georgia;"&gt;TIMELINE OF FAMOUS OPERAS &lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:georgia;"&gt;&lt;strong&gt;"ROMANTIC PERIOD"&lt;br /&gt;1800-1900&lt;/strong&gt; &lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-family:georgia;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;span style="font-family:georgia;"&gt;&lt;strong&gt;1805&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;Fidelio&lt;/span&gt;&lt;span style="font-family:georgia;"&gt; - &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;Ludwig van Beethoven&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:georgia;"&gt;&lt;strong&gt;1816&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;The Barber of Seville - &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;Gioacchino Rossini&lt;/span&gt;&lt;span style="font-family:georgia;"&gt;&lt;br /&gt;&lt;strong&gt;1817&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;La Cenerentola&lt;/span&gt;&lt;span style="font-family:georgia;"&gt; - &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;Gioacchino Rossini&lt;/span&gt;&lt;span style="font-family:georgia;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:georgia;"&gt;&lt;strong&gt;1829&lt;/strong&gt; William&lt;/span&gt;&lt;span style="font-family:georgia;"&gt; Tell&lt;/span&gt;&lt;span style="font-family:georgia;"&gt; - &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;Gioacchino Rossini&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:georgia;"&gt;&lt;strong&gt;1836&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;Les Huguenots&lt;/span&gt;&lt;span style="font-family:georgia;"&gt; - &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;Giacomo Meyerbeer&lt;/span&gt;&lt;span style="font-family:georgia;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:georgia;"&gt;&lt;strong&gt;1842&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;Nabucco&lt;/span&gt;&lt;span style="font-family:georgia;"&gt; - &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;Giuseppe Verdi&lt;/span&gt;&lt;span style="font-family:georgia;"&gt;&lt;br /&gt;&lt;strong&gt;1842&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;Ruslan and Lyudmila - &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;Mikhail Glinka&lt;/span&gt;&lt;span style="font-family:georgia;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:georgia;"&gt;&lt;strong&gt;1843&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;The Flying Dutchman - &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;Richard Wagner&lt;/span&gt;&lt;span style="font-family:georgia;"&gt;&lt;br /&gt;&lt;strong&gt;1843&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;Don Pasquale&lt;/span&gt;&lt;span style="font-family:georgia;"&gt; - &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;Gaetano Donizetti&lt;/span&gt;&lt;span style="font-family:georgia;"&gt;&lt;br /&gt;&lt;strong&gt;1845&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;Tannhäuser&lt;/span&gt;&lt;span style="font-family:georgia;"&gt; - &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;Richard Wagner&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:georgia;"&gt;&lt;strong&gt;1847&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;Macbeth -&lt;/span&gt;&lt;span style="font-family:georgia;"&gt; &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;Giuseppe Verdi&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1850&lt;/strong&gt; Lohengrin - Richard Wagner&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1851&lt;/strong&gt; Rigoletto - Giuseppe Verdi&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1853&lt;/strong&gt; Il trovatore - Giuseppe Verdi&lt;br /&gt;&lt;strong&gt;1853&lt;/strong&gt; La traviata - Giuseppe Verdi&lt;br /&gt;&lt;strong&gt;1859&lt;/strong&gt; Faust - Charles Gounod&lt;br /&gt;&lt;strong&gt;1862&lt;/strong&gt; La forza del destino - Giuseppe Verdi&lt;br /&gt;&lt;strong&gt;1863&lt;/strong&gt; Les Troyens - Hector Berlioz&lt;br /&gt;&lt;strong&gt;1865&lt;/strong&gt; Tristan und Isolde - Richard Wagner&lt;br /&gt;&lt;strong&gt;1866&lt;/strong&gt; The Bartered Bride - Bedřich Smetana&lt;br /&gt;&lt;strong&gt;1867&lt;/strong&gt; Don Carlos - Giuseppe Verdi&lt;br /&gt;&lt;strong&gt;1871&lt;/strong&gt; Aida - Giuseppe Verdi&lt;br /&gt;&lt;strong&gt;1874&lt;/strong&gt; Boris Godunov - Modest Mussorgsky&lt;br /&gt;&lt;strong&gt;1874&lt;/strong&gt; Die Fledermaus - Johann Strauss II&lt;br /&gt;&lt;strong&gt;1875&lt;/strong&gt; Carmen - Georges Bizet&lt;br /&gt;&lt;strong&gt;1876&lt;/strong&gt; La Gioconda - Amilcare Ponchielli&lt;br /&gt;&lt;strong&gt;1877&lt;/strong&gt; Samson et Dalila - Camille Saint-Saëns&lt;br /&gt;&lt;strong&gt;1878&lt;/strong&gt; HMS Pinafore - Gilbert and Sullivan&lt;br /&gt;&lt;strong&gt;1879&lt;/strong&gt; Eugene Onegin - Pyotr Ilyich Tchaikovsky&lt;br /&gt;&lt;strong&gt;1881&lt;/strong&gt; Les contes d'Hoffmann - Jacques Offenbach&lt;br /&gt;&lt;strong&gt;1882&lt;/strong&gt; Parsifal - Richard Wagner&lt;br /&gt;&lt;strong&gt;1884&lt;/strong&gt; Manon - Jules Massenet&lt;br /&gt;&lt;strong&gt;1887&lt;/strong&gt; Otello - Giuseppe Verdi&lt;br /&gt;&lt;strong&gt;1890&lt;/strong&gt; Cavalleria Rusticana - Pietro Mascagni&lt;br /&gt;&lt;strong&gt;1890&lt;/strong&gt; Prince Igor - Alexander Borodin&lt;br /&gt;&lt;strong&gt;1890&lt;/strong&gt; The Queen of Spades - Pyotr Ilyich Tchaikovsky&lt;br /&gt;&lt;strong&gt;1892&lt;/strong&gt; Werther - Jules Massenet&lt;br /&gt;&lt;strong&gt;1892&lt;/strong&gt; Pagliacci - Ruggiero Leoncavallo&lt;br /&gt;&lt;strong&gt;1893&lt;/strong&gt; Manon Lescaut - Giacomo Puccini&lt;br /&gt;&lt;strong&gt;1893&lt;/strong&gt; Falstaff - Giuseppe Verdi&lt;br /&gt;&lt;strong&gt;1893&lt;/strong&gt; Hänsel und Gretel - Engelbert Humperdinck&lt;br /&gt;&lt;strong&gt;1896&lt;/strong&gt; La bohème - Giacomo Puccini&lt;/div&gt;&lt;div align="center"&gt; &lt;/div&gt;&lt;div align="center"&gt;&lt;a href="http://opera-mania.blogspot.com/2006/10/looking-at-romantic-period.html"&gt;more about the romantic period...&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33677176-115742003780507967?l=opera-mania.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://opera-mania.blogspot.com/feeds/115742003780507967/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33677176&amp;postID=115742003780507967' title='25 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/115742003780507967'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/115742003780507967'/><link rel='alternate' type='text/html' href='http://opera-mania.blogspot.com/2006/09/opera-in-romantic-period.html' title='Opera in the Romantic Period'/><author><name>hen_jenn</name><uri>http://www.blogger.com/profile/03400100500211177461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>25</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33677176.post-115741865771446226</id><published>2006-09-05T11:02:00.000+10:00</published><updated>2006-10-27T11:19:44.973+10:00</updated><title type='text'>Our top 3</title><content type='html'>&lt;a href="http://photos1.blogger.com/blogger/3083/3701/1600/2.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/blogger/3083/3701/200/2.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://photos1.blogger.com/blogger/3083/3701/1600/1.jpg"&gt;&lt;img style="FLOAT: right; MARGIN: 0px 0px 10px 10px; CURSOR: hand" alt="" src="http://photos1.blogger.com/blogger/3083/3701/200/1.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="google.com"&gt;&lt;/a&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-family:arial;"&gt;We are going to look at three operas in a little more depth, one from each period. These are:&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;1.&lt;/strong&gt;'The Magic Flute' -Mozart, 1791 (classical period)&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;2.&lt;/strong&gt;'Carmen' - Bizet, 1875 (romantic period)&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;3.&lt;/strong&gt;'Turandot' - Puccini , 1926 (modern period)&lt;/span&gt;&lt;/div&gt;&lt;p align="center"&gt;&lt;span style="font-family:georgia;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33677176-115741865771446226?l=opera-mania.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://opera-mania.blogspot.com/feeds/115741865771446226/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33677176&amp;postID=115741865771446226' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/115741865771446226'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/115741865771446226'/><link rel='alternate' type='text/html' href='http://opera-mania.blogspot.com/2006/09/our-top-3.html' title='Our top 3'/><author><name>hen_jenn</name><uri>http://www.blogger.com/profile/03400100500211177461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33677176.post-115732597071161013</id><published>2006-09-04T09:23:00.001+10:00</published><updated>2006-10-10T14:26:26.800+10:00</updated><title type='text'>Opera in the Classical Period</title><content type='html'>&lt;div align="center"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;TIMELINE OF FAMOUS OPERAS&lt;br /&gt;"CLASSICAL PERIOD" &lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-family:Arial;"&gt;1750-1800&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1762&lt;/strong&gt; Orfeo ed Euridice - Christoph Willibald Gluck&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1767&lt;/strong&gt; Alceste - Christoph Willibald Gluck&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1779&lt;/strong&gt; Iphigénie en Tauride - Christoph Willibald Gluck&lt;br /&gt;&lt;/div&gt;&lt;strong&gt;&lt;/strong&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1781&lt;/strong&gt; Idomeneo - Wolfgang Amadeus Mozart&lt;br /&gt;&lt;/div&gt;&lt;strong&gt;&lt;/strong&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1782&lt;/strong&gt; Die Entführung aus dem Serail - Wolfgang Amadeus Mozart&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1786&lt;/strong&gt; The Marriage of Figaro - Wolfgang Amadeus Mozart.&lt;br /&gt;&lt;/div&gt;&lt;strong&gt;&lt;/strong&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1787&lt;/strong&gt; Don Giovanni - Mozart (using an Italian libretto by Lorenzo da Ponte)&lt;br /&gt;&lt;/div&gt;&lt;strong&gt;&lt;/strong&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1790&lt;/strong&gt; Così fan tutte - Wolfgang Amadeus Mozart.&lt;br /&gt;&lt;/div&gt;&lt;strong&gt;&lt;/strong&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1&lt;/strong&gt;&lt;strong&gt;7&lt;/strong&gt;&lt;strong&gt;91&lt;/strong&gt; La clemenza di Tito - Wolfgang Amadeus Mozart.&lt;br /&gt;&lt;/div&gt;&lt;strong&gt;&lt;/strong&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;1791&lt;/strong&gt; The Magic Flute - Wolfgang Amadeus Mozart&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt; &lt;/div&gt;&lt;div align="center"&gt;&lt;a href="http://opera-mania.blogspot.com/2006/10/more-about-classical-period.html"&gt;more about the classical period...&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33677176-115732597071161013?l=opera-mania.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://opera-mania.blogspot.com/feeds/115732597071161013/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33677176&amp;postID=115732597071161013' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/115732597071161013'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/115732597071161013'/><link rel='alternate' type='text/html' href='http://opera-mania.blogspot.com/2006/09/opera-in-classical-period.html' title='Opera in the Classical Period'/><author><name>hen_jenn</name><uri>http://www.blogger.com/profile/03400100500211177461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33677176.post-115707878742702790</id><published>2006-09-01T12:44:00.000+10:00</published><updated>2006-11-01T11:16:48.366+11:00</updated><title type='text'>Hisory of Opera</title><content type='html'>&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-family:courier new;"&gt;What is an Opera?&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;a href="http://photos1.blogger.com/blogger/3083/3701/1600/images.jpg"&gt;&lt;img style="FLOAT: right; MARGIN: 0px 0px 10px 10px; CURSOR: hand" alt="" src="http://photos1.blogger.com/blogger/3083/3701/320/images.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Opera (or an Operetta, a shortened opera) refers to a dramactic art form, which originated from Italy. Opera's emotional content or primary entertainment is conveyed to the audience through the use of music; both theatrical vocals (the lyrics) and the instrumental. From the beginning of this style of theatre, (about 1600AD), there has been alot of debate whether the music is vital, or the words, a theme. Also, dramatic speech in opera is often sung in recitative. By contrast, in musical theatre, dialogue is spoken and an actor's dramatic performance is generally more important than in opera. in Modern day opera, the vocalists acting ability has become just as important as that of their musical capbilities.&lt;/span&gt; &lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;p&gt;&lt;span style="font-family:courier new;"&gt;&lt;strong&gt;Points in history.&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;ul&gt;&lt;li&gt;&lt;span style="font-family:arial;"&gt;The history of opera between 1750 and 1800 was produced in the period which is considered the “Classical period”. Operas produced during this time were. Mozart was one of the most predominant composers of this period, producing over 30 famous operas, including;&lt;br /&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-family:arial;"&gt;From 1800-1900 this period is considered the romantic period. Features of this period. Main composers of this time frame. Trends followed through this period. Famous operas produced during this period.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-family:arial;"&gt;20th century is classed as the “Neo classical” period. This style is made up of a combination of Baroque and classical influences of form and technique.&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33677176-115707878742702790?l=opera-mania.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://opera-mania.blogspot.com/feeds/115707878742702790/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33677176&amp;postID=115707878742702790' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/115707878742702790'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33677176/posts/default/115707878742702790'/><link rel='alternate' type='text/html' href='http://opera-mania.blogspot.com/2006/09/hisory-of-opera.html' title='Hisory of Opera'/><author><name>hen_jenn</name><uri>http://www.blogger.com/profile/03400100500211177461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry></feed>
